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Retirement. Publishers, thank you for the many years of reading pleasure you gave me, but all good things must come to an end. Due to failing eyesight I am forced to retire. I can no longer review your books, and any that you send will be donated to the local library, unread. Do not send any more. I can only read for a couple hours every day, and this does not allow me to finish a book in reasonable time. I will be devoting time to my own books from now on, and reading on a personal level. Books that interest me. I prefer paperbacks and hardbacks, not eBooks. My eyesight has been failing the last few years, and I cannot handle hundreds of review books any more. My books are still available for review. Anyone interested in reviewing any of them, they are found in the Link to Tom’s Books On Amazon. Contact me for pdf copies at fadingshadows40@gmail.com

Monday, August 26, 2013

The Pulpster #22


Copies of the latest issue of The Pulpster, are now available from Mike Chomko, Books. The 22nd issue of the award-winning program book, its biggest number yet, is the work of William Lampkin, administrator of the popular ThePulp.Net. Although Bill has designed The Pulpster since 2008, this is his first year as editor of the fanzine.
Like PulpFest 2013, The Pulpster #22 celebrates the 80th anniversary of the pulp hero boom of 1933, the 90th anniversary of Weird Tales, and the 100th anniversary of Fu Manchu. Leading off the magazine is a short article explaining how the August 1931 issue of “The Unique Magazine” sent a killer to the electric chair; next, PulpFest organizer Mike Chomko and Doc Savage author Will Murray look at the pulp heroes of 1933; William Preston, discusses his “Old Man” stories, inspired by Lester Dent’s Man of Bronze, while Murray returns with “On Writing Skull Island;” Echoes publisher and “New Pulp” author Tom Johnson explores Johnston McCulley’s “Rollicking Rogue” series, a precursor to the great pulp heroes; the writer authorized to continue the Fu Manchu series, William Patrick Maynard, details his longterm relationship with Rohmer’s devil doctor and Nathan Vernon Madison examines early yellow peril fiction found in dime novels and story papers; the longtime Street & Smith editor, Daisy Bacon, is profiled by Laurie Powers and the early science-fiction pioneer, Homer Eon Flint, is discussed by his granddaughter, Vella Munn; Monte Herridge explores Richard Sales’ Daffy Dill stories, a long-running series that appeared in Detective Fiction Weekly while Battered Silicon publisher and Sherlock Holmes expert, George Vanderburgh, offers a glimpse at the personal papers of H. P. Lovecraft and Clark Ashton Smith; and closing out the issue is Pulpster editor emeritus Tony Davis’ “Final Chapters.”
With 52 pages, including ten in color, The Pulpster is a real steal at $11, which includes first class postage for buyers in the United States. Buyers outside the United States will pay more. Write to Mike Chomko at mike@pulpfest.com and order your copy today.
The cover art for The Pulpster #22 is the work of Walter M. Baumhofer. It originally graced the front cover to the July 1935 issue of Doc Savage Magazine which featured “Quest of Qui” as its lead novel.

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