Conversation With Heroes

The Old Pulp Hermit sent me an envelope containing the following discussion he conducted with several famous pulp figures recently on tape. He mentioned that these men visited him at the Gotham Rest Home, where he now resides. It must be nice having friends who will visit you at a Rest Home. Maybe that’s something we should all think about. Well, with no further delay, here is the Round Table discussion with some pretty big names in the pulps.

Tom

Conversation With Heroes

The Pulp Hermit: With such distinguished guests, I felt it a perfect opportunity to discuss our favorite subject, the pulps. Gentlemen, there has been much talk today that the writers of the pulps were not as professional or sophisticated as writers today. And the product they produced was less than exciting or interesting than the stories being written today. Would you care to comment?

The Phantom Detective: Robert Wallace and G. Wayman Jones were both highly educated, and were able to bring my Casebooks into focus, showing the danger and excitement of my murder investigations. I don’t think the ones saying such nonsense about the stories have ever read one. End of statement.

The Black Bat: The Phantom is correct. I knew Mr. Jones personally, and he was as intelligent as any one writing today. Maybe more so, from what they are saying! Let them investigate the type of crook I was involved with. Especially the Nazis, and I’ll bet they’ll become an Ostrich darn quick.

Secret Agent X: Not exciting? Not Interesting? Wait till I tell Brant House about this. The truth of the matter is, he’s already upset because of some of the stuff they’re passing off as my cases. Some of the people they are saying I met, I never knew. Who are all these people helping me with my cases? Phew!

New Masked Guy: What was the question?

The Pulp Hermit: Yes, what “X” just said brings up a good point. I don’t remember any of you guys ever needing assistance from one another. Each of you was quite capable of solving the case on your own. In fact, in one case recently, X was in a fight with another of Gotham’s heroes, and they basically fought to a draw. How could it be otherwise? That’s why it’s a bad idea pitting you guys against each other.

The Phantom Detective: Certainly. We are the best, that’s why we do what we do. The Black Bat or X would just get in my way, so why would I ask them for help?

The Black Bat: I don’t need any help. Don’t get in my way.

Secret Agent X: Someone actually thinks I need help. Who?

New Masked Guy” What was the question?

The Pulp Hermit: For my last question, what do each of you think of new writers creating new stories about you? Evidently, they aren’t taking any of them from your personal Casebooks.

The Phantom Detective: Well, really, what they think is new cases is probably cases that just weren’t revealed in our Casebooks. Remember, the magazines ceased publication before all of our stories were revealed to the public. The concerns I have are that they be honest about my companions and me. I heard someone had me taking drugs in order to bring villains to their end. I never used drugs! One writer had me dumping Muriel for someone else, then turned Miss Havens into a murderer. Please!!!

The Black Bat: (laughing) They have me hearing voices, Phantom! And I argue with myself. Plus, I now kill execution style. Forget gangsters, I’m now fighting the supernatural; alien floating heads, no less! Remember, it was you who said these guys never read one of our Casebooks; no wonder they don’t know anything about us. And they’re writing our exploits?

Secret Agent X: You guys think they’re recreating you! Regardless of what they are doing to me, what upsets me the most is they make Betty Dale a moll, and make her look like a hooker. They don’t even know about the people in my universe. Good grief, I’m running with the Domino Lady and fighting with Dan Fowler. Like I couldn’t whip that fed with one arm tied behind my back!

New Masked Guy: What was the first question again?”

The Pulp Hermit: I hope we can do this again some time. Maybe we could discuss a solution to the problem when we meet again.

As the tape came to an end, I heard four automatics click as rounds were slammed into the chamber of barrels, and I heard The Pulp Hermit ask: “Who was that masked guy who just left in such a hurry?”

Stay tuned, Amigos, there’s more to come from the Old Pulp Hermit.

A Journey To The Heart of Luna

“A Fun Beginning For A Great New Series!”

“A Journey To The Heart of Luna” by Andy Frankham-Allen is the first entry in the steampunk series, SPACE 1889, in which steam engines have given mankind the ability of spaceflight in the 1800s. When the British government receives a distress call from a young adventuress, Annabelle Somerset, from the moon, they decide to investigate. Her uncle’s friend, Nathaniel Stone, an inventor, is requested to join the expedition.

Well written with good characterization, but the story moved a bit slow. Most likely due to the need of setting up the series for future adventures. Readers of fast paced action will undoubtedly find this one boring, as it needs to be absorbed at a slower pace to familiarize the reader with the many interesting characters. It works well as a series opener, and the second story, “Vandals On Venus”, in the new ebook series picks up steam with a bang. I highly recommend these adventures of Professor Nathaniel Stone and Annabelle Somerset.

Available on Amazon and wherever ebooks are sold.

Vandals On Venus by K.G. McAbee

When Nathanial Stone gets an emergency message from an old friend on Venus begging for his help, his duty is clear: he must go at once. His ward, Miss Annabelle Somerset, instead of agreeing to stay safely on Earth as he begs, insists on accompanying him to the dangerous tropical planet, home of huge reptiles.

Soon, Nathanial and Annabelle find themselves in the middle of a plot concerning a nefarious German officer, a brilliant English inventor, an Irish guide no better than he should be, a heavily-armed lizard-man and a clever American newspaperman. Can even they prevail against such odds?

Now available on Amazon's Kendal for $2.99, and at all ebook stores.

Three Go Back

Three Go Back is a YA SF novel by Tom Johnson, set in the year 2323. When their teleport vehicle malfunctions, becoming a time machine, it sends three young high school girls back in time on a journey of discovery they never expected. From the Ice Age through the Cretaceous, Permian, Carboniferous, and finally to the beginning of the Earth’s evolution of life, they experience their world’s prehistoric past in all its splendor and terror, coming away with the joy of knowledge and fantastic adventure!


Available from NTD and Amazon. $12.97 paperback, $4.99 Kendle.

Curse of The Phantom Shadow

Following is information on a short film project that our followers might be interested in. There is a link to a short video clip to view a bit of the project.

My name is Mark Ross and I am an independent filmmaker in the Las Vegas area. We are currently in production on our short concept film, Curse of the Phantom Shadow. This movie is an homage to:

Dick Tracy
Batman
Spy Smasher
The Shadow
The Phantom
Republic Movie Serials
Comic books
Pulp Novels/Magazines of the 1930s/1940s

Our film takes place in 1948. We have professional actors, some of which have been in Hollywood productions.

Until recently, we were 100% self financed from my personal savings. We are now trying to raise money to finish our production.

I realize you probably get many of requests, such as the one I am about to make. However, a mention on your blog would definitely help us with our fundraising endeavors:

http://kck.st/o7JT2f

At the very least, I encourage you to review our video, and see if it is a good fit for your audience.

I thank you in advance on behalf of my cast and crew.

Mark Ross

New Doc Atlas Coming Soon

Michael A. Black and Ray Lovato have penned a new Doc Atlas story for Ginger's upcoming V#4 issue of Tales of Masks & Mayhem. This will come after the release of a new Doc Atlas anthology from the authors - Amazon is already taking pre orders for the anthology. I believe it is titled, The Incredible Adventures of Doc Atlas. Here is the interior illustration for the story in Ginger's Tales of Masks & Mayhem V#4. The art is by Matt Lovato.

Echoes From The Pulps

From a comic book historian’s viewpoint of the book, “Comics, Comix & Graphic Novels: A History of Comic Art,” we find this statement, which clearly defines comics as an artistic medium.

“For many years, those interested in the history of the art of comics--from scholars to fans--had very few options. The available books were either filled with glaring errors or far too limited in their scope. Along comes Roger Sabin and his near-definitive history. The best thing about this book is that it begins with a strong foundation--that comics is a separate and unique artistic medium--and goes on to leave practically no stone unturned, from mainstream superheroes to underground work to Japanese manga to the new alternatives to the strong European tradition. There's even an entire chapter on comics by and aimed toward women, hopefully dispelling the myth that comics are just for boys.”

Although literature can be classified as an art form in text, it is not an art medium. There are distinct differences in areas of media, from literature to television, movies, radio, and comics. That each may have influenced the other is unmistakable, but to paint them all with the same brush is also wrong. A simplistic view of mass-market literature can be categorized thusly: Story Papers, Dime Novels, Pulps, Digest, Paperbacks & Hardbacks (yes, there were a number of mass-market hardbacks produced). These were not genres. Genres are westerns, science fiction, mystery, romance, thrillers, action, adventure, etc. Pulp is not a genre it is a mass-market literary media.

 Trying to define what we write today, or see on TV or in the movies, as pulp may be a mistake. Even the so-called New Pulp has not become a mass-market product, though the pulps may influence it. As a writer, I am not writing, “pulp”, though I may be writing new stories about characters that appeared in the pulps. Many of the pulp novels and short stories have crossed over to other medias, including comic books, television, radio, and movies. But The Shadow, Doc Savage, and the other great characters originally were products of the pulps. So we can call them pulp. My character of The Black Ghost was not a product of the pulps, only influenced by them. I can’t really call it a new pulp.

Nick Carter is a product of the Dime Novels, Pulps, Paperbacks, Radio & Television. Each incarnation was slightly different from the previous version. The paperback, Nick Carter – Killmaster series was so vastly different from the early Dime Novel series, the character isn’t recognizable today. These paperback vigilante/spy series have been named Aggressor novels to distinguish them from other genres.

In my upcoming short story collection, PULP ECHOES (original title, ECHOES FROM THE PULPS), I wanted to purvey the message that my stories were merely an echo from the pulps. Nothing more. Like many of the new pulp writers, the pulps also influenced me. Hopefully, this book will show homage to the stories that I loved. Included in the book are new stories of The Black Ghost, The Black Cat, The Crimson Clown, Doctor Death, Captain Anthony Adventure, The Bat, and Senora Scorpion. Some characters originated in the pulps, while others are my own creation, all are echoes from the pulps.

The edits should be completed soon, and the book will (hopefully) be ready by the end of October.