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Retirement. Publishers, thank you for the many years of reading pleasure you gave me, but all good things must come to an end. Due to failing eyesight I am forced to retire. I can no longer review your books, and any that you send will be donated to the local library, unread. Do not send any more. I can only read for a couple hours every day, and this does not allow me to finish a book in reasonable time. I will be devoting time to my own books from now on, and reading on a personal level. Books that interest me. I prefer paperbacks and hardbacks, not eBooks. My eyesight has been failing the last few years, and I cannot handle hundreds of review books any more. My books are still available for review. Anyone interested in reviewing any of them, they are found in the Link to Tom’s Books On Amazon. Contact me for pdf copies at fadingshadows40@gmail.com

Showing posts with label Eve Pearce. Show all posts
Showing posts with label Eve Pearce. Show all posts

Thursday, February 13, 2014

Self Publishing By Eve Garner


Is Self-Publishing Opening the Door to a Space Opera Renaissance?
When e-readers first hit the shelves in the early 2000s, many book lovers predicted the end of printed books and saw this emerging technology as a threat. But now, a good few years later, we can see that both digital and print books have a place in the market. We all have our favorite Kindle books, and fans of the pulp genre are particularly spoiled by the fact that digital publishing is so accessible for all. In fact, if you look at the most popular titles on various Amazon charts, you’ll notice that self-publishing is becoming a huge chunk of books sold. And with that, new (and old) genres are emerging to become real favorites. Take the space opera for example – in the 70s and 80s, the genre was big business, but these days it seems to have died down somewhat. But could self-publishing be opening the door to a renaissance for this oft-neglected genre? Let’s find out.
The early days of the space opera
So where did this most prestigious of science fiction sub-genres begin? Well, without going into too much detail and writing a tome on the topic, there were a number of authors in the late 1800s who did write on the topic of space; however few refer to these as true space operas. Examples include Star ou Psi de CassiopĂ©e, written by French author C. I. Defontenay in 1854. There is some division, therefore, on which title truly is the first space opera. Some believe it to be The Struggle for Empire: A Story of the Year 2236 by Robert William Cole in 1900. It wasn’t until around the late 1920s that space operas began to appear as part of pulp magazines.  In fact, in the August/October 1928 issue of Amazing Stories, a story called The Skylark of Space E. E. Smith was published. This is a tale of planetary exploration, romance, and all the other elements that make up a ‘true’ space opera. Many refer to Skylark as the first genuine example of a literary space opera.
The modern space opera
So now we know where it all began, what has become of this sub-genre? Well, it seems to have slipped into somewhat of a niche. Authors such as Ian M Banks (and his famous Culture series), Alastair Reynolds and Peter F Hamilton are all well-known proponents of the space opera genre. One of the hallmarks of a space opera is its tendency to span multiple books. Because these stories are so huge and expansive, it’s often necessary to do this – and it helps add to the grand scale of the worlds these authors are creating in their works. Despite so many authors working to add to the genre, it is certainly a niche offering, with only a handful of writers doing this work (as opposed to crime or other genres which have thousands of ‘big name’ authors).
The role of self-publishing
It’s never been easier to become a paid writer through Amazon’s marketplace, all thanks to the low barrier to entry set by the company. Anyone can throw their work up on the site to be purchased by others. With this open door policy comes the potential for sub-genres such as space opera to come back into favor – not through the preference of a publisher, but by people voting with their wallets. Just look at the science fiction charts for Kindle and you’ll see many examples of new space operas. One great example is the Expanse series by James S. A. Corey. It may not be self-published, but it’s a breakout hit for the genre and a proponent of digital sci-fi.
Do you have what it takes?
If you think you could add to this new renaissance and interest in space opera, there are lots of ways that you can hone your craft and become the next big sci-fi writer. But before you write anything down, be sure your skills are up to scratch – there’s nothing worse than a digital book full of typos and grammatical issues. One idea is to become a freelance writer to really sharpen your skills. By writing for a content service like wait.co.uk, you can fill your days writing about a range of different topics – and really give your writing a shot in the arm. The life of a writer is not for everyone, of course, but if you find yourself tapping away at the keyboard like it’s some kind of compulsion, getting involved in becoming a paid writer is a fantastic thing to do.
Who knows? You may well be the tip of the spear when it comes to the reinvention of the space opera. By joining the many fresh authors who are self-publishing to the Kindle store, you can help drive forward a movement that puts the power in the hands of the people, not the publishers. So isn’t it time you did some brainstorming? That space opera won’t write itself!


Monday, November 5, 2012

The Day Aberystwyth Stood Still


Louie Knight: The Day Aberystwyth Stood Still
Malcolm Pryce is an English author who moved to the Welsh seaside town of Aberystwyth at the age of nine and now writes detective novels set there. His books parody vintage pulp, using artwork typically associated with the hard-boiled detective stories that were popular in the 1930s and depicting a fictional, alternative Wales that could pass for something from a classic film noir. In reality Aberystwyth is a quaint little Welsh town but Pryce portrays it as being filled with crime and mystery, with all manner of sinister figures lurking in the wings. This is undoubtedly an in-joke that people familiar with the area will find hilarious but that will probably be lost on most readers.
The Plot
The Day Aberystwyth Stood Still is the sixth book in the Louie Knight series, Louie Knight being Aberystwyth’s only private detective. It features Louie attempting to find out the truth behind a local farmer’s encounter with an alien, solve the mystery of a notorious thief who was hanged for a robbery only to be seen boarding a bus twenty-five years down the line and figure out why shadowy government agents have suddenly appeared in Aberystwyth. The plot is sometimes surreal to the point of silliness but it is nevertheless cleverly constructed and full of twists and turns.
More than Just a Spoof
Pryce’s strength lies in his ability to switch from humour and surrealism to content that genuinely manages to pluck at readers’ heartstrings. Rather than being a one-dimensional parody, his book is full of complex, well-developed characters that would be believable if they didn’t exist within such a surreal setting. It is easy to become attached to the supporting cast, as they each have their own distinct personalities and provide a lot more than just comic relief. Pryce displays an impressively sharp wit and underpins the quirky world that he has created with a feeling of melancholy and the message that human beings are intent on causing pain and grief to one another in spite of the obvious pointlessness of their actions. The book works on numerous different levels, providing strange and often dark humour with a hidden depth to it.
Another impressive feature of Pryce’s writing is his ability to craft sentences that they are a pleasure to read. Some of his phrasing is bordering on poetic and he manages to keep his style accessible whilst demonstrating that he has perfectly mastered the written word. The structure of his book is also cleverly thought out, with the pace and mood changing at regular intervals in order to maintain the attention of the reader. This is done seamlessly and subtly without seeming clumsy or deliberate and creates a sense of nail-biting suspense.
The Downside
The only thing about The Day Aberystwyth Stood Still that is slightly disappointing is its failure to build upon some of the characters introduced earlier on in the series. Louie’s love interest Myfanwy, who was present in the first few books, does not make an appearance, which leaves the reader wondering where she has got to, and Llunos, a policeman who Louie has developed a love/hate relationship with, is also nowhere to be seen. There were unresolved issues related to these characters that readers were led to believe would be tied up later in the series. The fact that they are not even mentioned gives the impression that Pryce has lost interest in them and introduced a new cast of characters without bothering to finish telling their stories. However this leaves room for them to be re-introduced in a future Louie Knight book and still fails to detract from the quality of the story to an extent where it is no longer fun to read. If there are any book deals that enable you to purchase the entire series, I would recommend doing so but if not, the lack of inclusion of these characters might even add to readers’ enjoyment of The Day Aberystwyth Stood Still, as it means that it can be read as a standalone title even if you have no knowledge of the previous books.
Overall Verdict
The Day Aberystwyth Stood Still is both a skilful parody and a well-constructed detective story. It manages to straddle the line between humour and serious content, captivating readers whilst simultaneously making them laugh. I would recommend this book for pulp fans who are able to take a humorous look at the genre and enjoy a story with plenty of hidden twists.
Reviews By Eve
Evelyn Robinson