Edward P. Norris
1)
The
Death Gambler (Nibs Holloway) Rapid Fire Detective (May 1933)
2)
Crimson
Night (Nibs Holloway) Rapid Fire Detective (June 1933): Story may have existed,
and been paid for, but never published, as Rapid Fire Detective folded with the
May 1933 issue
3)
Doctor
Death (Nibs Holloway & DD) All Detective (July 1934)
4)
A
Deal In Phonies (Nibs Holloway) All Detective (August 1934)
5)
Cargo
of Death (Nibs Holloway & DD) All Detective (Sept 1934)
6)
Death’s
I.O.U. (Nibs Holloway & DD) All Detective (Oct 1934)
7)
Thirteen
Pearls (Nibs Holloway & DD) All Detective (Jan 1935)
8)
In
Step With Death – Secret Agent X (July 1935)
9)
G-Man
Ghost – Ten Detective Aces (Oct 1935)
10) High Seas Homicide – Ten
Detective Aces (Dec 1935)
11) Red Devil – Clues Detective
(Feb 1936)
12) Murder Rides The Tandem –
Thrilling Detective (Jan 1938)
13) Farm Kid – Popular
Detective (Apr 1940)
In
1934 a young author named Edward P. Norris began appearing in pulp magazines.
An interesting character named Nibs Holloway became very popular with readers
of ALL DETECTIVE, especially in the 2nd story when Nibs was faced
with the evil Doctor Death. There were only six stories of Nibs Holloway that I
know about, four of which featured his foe, Doctor Death. Norris then made
numerous appearances in other magazines like Secret Agent X, Popular Detective,
etc. And suddenly he disappeared in 1940. We never knew what happened with this
interesting pulp scribe.
Until
now.
There
is a lot of Dime Novel Nick Carter in Nibs Holloway. I would guess that Edward
P. Norris read a lot of the Dime Novel and pulp magazines in his younger days.
I also had the feeling that Nibs was his favorite character, but the publisher
(due to the readers’ response) wanted more of the evil doctor. Nibs actually
appeared in a story prior to the first Doctor Death inclusion. Norris killed
Doctor Death off in his first appearance, and the following story just featured
Nibs Holloway again; then suddenly Doctor Death was back. The author’s writing
style was also early teens and twenties, and reminded me a lot of Johnston
McCulley’s early stories, which made me think of Nick Carter and the Dime
Novels. Maybe that’s another reason why I liked Edward P. Norris and Nibs
Holloway.
His
stories were well written, with plenty of action and good characterization. I
was always curious why Doctor Death was re-tooled and given to another writer
when he was given his own magazine. Though he was a good writer, I was never a
fan of Harold Ward’s writing, and his Doctor Death just didn’t have the same
appeal to me as Norris’s short story series. For years I wanted to find
evidence of Phantom Detective and Dan Fowler novels by him, as Nibs would have
fit nicely in either series. A master of disguise, tough, fast on the draw,
fearless, he was perfect for the single-character pulp magazines.
I
knew his stories had appeared erratically from 1934 to 1940, and then his name
disappeared from the pulp magazines. My original thoughts were the war in
Europe. Many of the writers and artists suddenly dropped out of sight around
1942 when they were drafted. Some did not return. The oddity was that period in
which he was writing. So few stories appeared under his byline, I thought of
several reasons for this. My first was that he was writing novels under a house
name, or using a pseudonym. If not one of those, then he had a job that took
precedence over his writing.
Edward
Norris was born in London’s East End, an area known as Silverton, in 1903. He
went to sea in his teens, traveling around the world several times and
acquiring a cultural sophistication that later served him well in his writing.
His daughter, Sheila describes her father as “a renaissance man”, and said he
would tackle anything.
His
parents emigrated from Lithuania in the late 1880s. He was one of 13 children.
“Of all those children, I believe he is the only one who settled in the US,
probably due to the wanderlust developed by his years at sea.” (Shiela).
In
the late 1920s his ship made Port in Manhattan. Norris, while ashore, met his
future wife, Agnes in Long Beach, Long Island: a young girl who had immigrated to the
US from Scotland. After a few years of corresponding, he jumped ship on another
stop in New York, and they were married in 1930.
“I
remember my father as an artist with words, music and photography. He was a
little ahead of his time, and loved to write and play the piano. He was
self-taught and very smart and talented. (Sheila)
"They raised four children, Peter, Sheila, James & William. Peter, the oldest, passed away about ten years ago." (Carolyn Stone, granddaughter).
Having lost his paycheck, he
now looked for a new source of income. This was when his writing began, as well
as a job in a printing business.
“Times
were hard back then, and there was little money, so he could not devote full
time to writing. I believe his writing slowed down in the mid-‘30s because by
1934 he had two kids and, living only a few minutes from the water, his commute
to Manhattan was an hour each way.” (Sheila)
He
worked as a printer, as supporting a family took precedence over writing for
the pulp magazines. He worked in Brooklyn, New York, but the family moved a
lot. I’m curious about the printing business where Norris worked. Something his
grandson said in response to my post on Altus Press may have been a clue:
“I
remember going into his library which was no bigger than a 15 by 20 room with
books as high as my 6 year old memory recalls now that I am 50.” (James Norris)
I
wonder if he worked in a pulp factory, printing magazines? Money was in short
supply back then so he would have spent his money in support of his family, not
buy books. But if he worked in a pulp factory perhaps he was allowed to take
samples home (?).
“He
taught himself to play piano by buying sheet music and studying it while
listening to the latest tunes on the radio. Eventually, he became interested in
photography, developed, printed and enlarged his own film. He also bought a 16
mm projector and brought movies home on the weekend, sharing them with the
neighborhood.” (Sheila)
One
of the curious aspects that always bothered me was his name disappearing from
the pulps after 1940, and for years I was afraid that the war in Europe had
taken the life of another pulp writer. But I understand from Sheila and his
granddaughter, Catherine, that there was another problem. The Social Security
Act of August 14, 1935 caused him to lose his job as a printer. Norris was a
citizen of England, not the US, so did not have a Social Security number. The
threat of war between England and Germany, plus he had two minor children, kept
the US from deporting him. After 1935 his writing became more sporadic, until
it ceased completely after 1940.
“I
have fond memories of him, and had him around until my early twenties. He had
enormous self-confidence and felt he could learn to do anything just by going
to the library. One winter he ordered a do-it-yourself kit from Sears and assembled
it in our living room. It was a small rowboat. There were always one or
two boats in our yard, next to the large garden, which had every type of vegetable
that would grow in Brooklyn. He loved to play pinochle nearly every Saturday night
with neighbors. Also, he was a big Brooklyn Dodgers fan and taught me all about
scoring.
“As
far as I know he did not use pseudonyms. I always knew he was a writer, but
could not find anything on the Internet until recently when we used the key
search word "pulp". I would love to get copies of his short stories,
but not sure where to find them.” (Catherine)
We
still have much to learn about Edward P. Norris. I enjoyed his writing, and was
a huge fan of Nibs Holloway. He passed away in the early 1980s. The PulpCon had
been in existent for a decade already, and pulp fandom was already in full
swing. Echoes had started in June 1982. I wish we had made contact before his
passing. I think Edward Norris would have enjoyed knowing that there were still
fans of his writing.
“We
lived so close to the water there were rumors of German U-Boats in the channels
near us.” (Sheila)
I
want to thank Edward P. Norris’s daughter, Sheila, and his granddaughter,
Catherine for the above information.
Tom
Johnson
