Tom: With
the release of The Resurrection Ring,
can your fans expect another novel down the road? Any hints that you wish to
pass on about what story is coming up next? And what about The Freezing Fiends? Any chance Altus Press will reprint that one
in the near future?
Steve: I’ll address the question about TFF first. Though I’m not certain when I’ll do this, I will revise Fiends, my very first piece of fiction. It will need a more action-packed ending,
which is mostly exposition right now. It
will also require some rewrite at other places.
My patient readers will finally see what happened when the Agent faced
Proteus, the Shape Shifter, a Soviet master of disguise, all the way back in
1937. Its conclusion will not consist of
the neat, tidy endings that often dominated the pulps. Still it does
reflect the precarious political climate of the late-Thirties international
world….
Down the
pike X will encounter other interesting and perilous puzzles. Right now I’m writing the outline of Murderer’s Moon, with ten chapters of
the outline already completed. This
story, set in 1932, is a prequel of sorts to the very first novel The Torture Trust,
with an additional connection to TRR. Here is something most unique in X’s
annals: All of the proceedings in MM unfold before he took up the mantle of Secret Agent X! I’ve figured out a nifty way to do this, yet
keep him recognizable as our hero. As
for MM itself, we’ll see the Man of a
Thousand Faces battling the Mafia and
some sinister revolutionaries in New Orleans.
In addition he will battle something which might be supernatural—and is
assuredly deadly. It’s a creature with
ties to south Louisiana, but with much older links to Continental Europe and
especially to classical Greece.
In TRR I had mentioned Hell’s Haven, the promised adventure which co-stars the legendary
Captain Hazzard. HH will be a globe-trotting entry from 1939, and it will be a
sequel of sorts to Yoke. Bates will suffer badly in this one, I might further
relate, as will one or more of Hazzard’s men.
And for interested readers, Hell’s
Haven will explain why the Secret Agent is so unsettled at the start of TRR.
The answer is both hideous—and historical (as far as pulp can be, of
course!).
The Blitz from Beyond the Earth will involve a villain who
should have appeared in TRR, but
didn’t, because the existing story was far too involved. An old-time villain from the original series
(despite never appearing onstage), he will face the Man of a Thousand Faces
again. This time, by 1940, he will be
itching for trouble. To this end he will
hire the services of a super-powered henchperson to achieve his ends. That superhuman fellow (or woman) will seem
to do some pretty amazing things, like fly or hurl heavy objects. No, he’s not that guy or that gal you might
think. Nor is this outing going to be
any kind of crossover. I want to let my
hero X do the fighting, not fight lawsuits with unnamed comic book companies. I desire to demonstrate, too, who the master
crimefighters of the 1930s and early ’40s really
were….
My deep
admiration for Fleming-Roberts’ work has inspired me to do some research for
another Louisiana-based adventure, Come,
Taste the Terror. Falling around 1940-’41,
this one will occur sixty-five or seventy miles west of Ruston, in Bossier City. This town is the headquarters to Barksdale
Air Force Base, and the lineal heir to the long-ago Barksdale Field, the country’s
oldest bomber base. There, a shadowy
crime czar is ostensibly causing a string of mysterious, terrible murders, to
take revenge on someone and perhaps to fatten his own coffers. That is, local authorities, the military
police, and F.B.I. agents think this to be his motive. But the Man of a Thousand Faces isn’t so
sure.
Have you
ever wanted a sample of the Secret Agent’s post-WWII career? Then you might want to pick up Camp for Corpses, which unfolds here in
my hometown of Ruston. From June 1943 to
June 1946 the US Army facility Camp Ruston in west Lincoln Parish quartered
over 4000 German and Italian POWs. Later
in the war the camp secretly housed the crew of U-505, which transported one of
the Nazis’ most powerful and infamous encryption devices, an Enigma
machine. In my story, an entry from
1945, one of the camp’s prisoners is a scientist, rather than a military
man. Yet before we meet him, he has
stolen the papers of a lowly Wehrmacht soldier. He has executed this theft because he has
committed terrible war crimes. In back
of his offenses, he harbors a terrible secret—and part of the mystery to the
stolen art treasures of Europe.
Here’s
another early Cold War piece with a title evocative of G.T.’s Ghost
mysteries: The Case of the Red Report.
I leave it to you, the readers, to wring the truth from this
heading. On my end, I can say only that someone, for reasons unknown, thinks it’s better to be Red—than
dead….
Then
there’s Time of the Terrible People, a
strange entry from the same tense era. Dated
1949, this chronicle will be my take
on the Reds’ race for the Bomb. But
unlike Dent’s The Red Spider, TTP will involve a journey to a
frightening world where resurgent Nazis have deployed the device against the
US. Worse yet, our only hope for victory
will lie with the scientists of that other Man of Steel—Josef Stalin!
The other
day I came up with Shrouds for the City, one
final Cold War tale, tentatively occurring in 1949 or ’50. Though just a story germ right now, this case
involves a maritime hunt whose outcome literally will mean the difference
between life and death for the Big Apple, the Agent’s old stomping grounds.
Tom: For
the new writers just getting started, maybe you can help with this question. What
do you find most difficult about your work-in-progress? Plot? Characters?
Beginning? Ending? Editing?
Steve: First, I like crafting characters, nearly all
of them based on real people. This portion
of the game tests my powers of observation and analysis. Such is part of the “prewriting” process, as
we call it in rhetoric. The actual
writing (drafting), the next step of the process, I enjoy least. I think I have this reaction because this
second phase compels me to record the ideas on paper (or on my computer) in
some unified, coherent, and organized fashion.
And knowing myself, I can often fail on all three counts. Rewriting or revising I actually do enjoy because it challenges me to
relate the ideas in a more sophisticated way.
That is, the rewriting demands I “re-envision,” or see once more, what
I’ve already written. It requires me to
narrate some parts of the story with more poetry/lyricism, some with less, and
then harmonize the two. It also entails
rethinking some of my understanding of the characters themselves: their motivations (as happened in TRR), the interconnectedness of their
relationships, the consequences of their actions, etc.
Tom: What
do you enjoy most about the creative process?
Steve: Definitely I love the opportunity to share my
own imagination with those of readers, such that I and they create the meaning of the text. I subscribe to certain aspects of one
critical theory, reader response, which holds in part that writers and readers determine what a literary or
other artistic work signifies. Thus all
writing and reading are about shared meaning,
that all of the fictive process is “about” that conversation between the writer
and the audience. It might sound pompous
to some folks, but it makes very good sense to me.
Tom: As
already mentioned, The Resurrection Ring
is without a doubt the longest Secret Agent X novel ever written. Do you plan to write more this length, or
perhaps write shorter novels in the future? Not that anyone will complain about
the length, I’m sure, but as a novelist I know how daunting it is to write
something that titanic.
Steve: I doubt that I’ll write one that long again. Truly, this novel really taxed my patience, with a computer failure (a virus), the
false starts/rewrites, and my ongoing lower back problems. That said, I do want to compose some additional yarns in the neighborhood of
80,000-90,000 words. This is much more
reasonable.
I would
also like to write some serious (so-called “literary”) fiction down the
road. From a couple of acquaintances in
a neighboring community, I heard the fascinating tale of a millionaire and his
African-American mistress, later his wife, who resided in north Louisiana in
the early 20th century. The account
deserves a novelistic treatment, for a couple of reasons. Not only is it so compelling, but also it
serves as a commentary on the evolution of race relations and the nature of marriage
here in America.
Tom: Tell
the readers why they should buy The
Resurrection Ring.
Steve: To support my cat, my mother, and me! No, seriously, I hope it will entertain them,
and I hope, too, it will underscore the nature of pulp heroism: What does it mean to sacrifice one’s life for
the lives of others? What does it mean
to devote oneself, unreservedly to a particular person or a cause? What does it
mean to maintain hope, when everything and everyone scream despair? While this might all sound heavy or, God
forbid, pompous, I think we all wake up, each day, with some of the same
questions. Maybe people will read TRR and then root for this group of
folks who have tried, however haltingly or imperfectly, to answer the questions
we all face. And maybe they’ll come to
appreciate, too, that Secret Agent X and his band are just as heroic as Doc,
The Shadow, The Spider, and the rest.
Tom: Finding
a market, and promotional avenue can be daunting today. What advice would you
give to a person trying to get their short story / novel published in today’s
market?
Steve: Obviously they need to practice the craft of
writing, each day. Exchanging ideas with
other writers is another opportunity for growth, one I’m privileged to experience,
each week, through the Louisiana
Anthology Podcast I co-host. In terms of getting published, I’m a
realist. The news reports—print, TV, and
online—sing a dismal song of the writers’ markets: Most traditional publishers are struggling to
turn a profit, and some have frankly gone out of business. Quite simply, publishing costs are rising
(for various reasons); and people are not buying traditional books as they have
done in the past. But folks are reading—on various kinds of
electronic devices. This state of
affairs forces publishers, to rethink their models of “delivering” information,
including fiction, to the readers.
At the
same time a number of smaller publishers are now hanging out their shingles,
offering fiction. Altus Press is one, of
course, as are ProSe, Airship 27 and, I’m sure, many others. With this in mind I urge fictioneers to
contact the smaller presses (or consult resources like Writers’ Market and Google) and to learn which publishers take what
specific kinds of material. Also the newcomers
might consider self-publication, if they’re really burning to get into
print. Here’s an example. I know a most talented writer in southeast
Louisiana, an acclaimed crime novelist (not James Lee Burke), who is taking
this very approach. In fact he’s already
filed the appropriate legal papers with the state. Simultaneous with that, he’s currently
revising his third or fourth novel. When
he releases the story, it will bear his own imprint. And he’ll be doing the same for other authors
who show promise.
Tom: Do
you have a Blog, Facebook or Twitter where fans can follow you?
And very
important, where can your book be purchased?
Steve: I have a Facebook page, Stephen Payne. I have also established
another Facebook site, Secret Agent
X: The Man of a Thousand Faces. Right now it contains many great cover
images, and of course, the announcement for TRR. Over the next few months I want to add some additional
information on François
Vidocq and some other surprises.
People can
grab copies of TRR and my other
novels Master of Madness and Halo of Horror through Altus Press, at www.altuspress.com; or through Amazon, at www.amazon.com. Needless to say, Matt Moring and I both
deeply appreciate the fans’ interest in the character. And we hope that people will continue to
follow the Agent’s, eh, “X”-ploits!
Tom:
Thanks for stopping by Steve.
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