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Retirement. Publishers, thank you for the many years of reading pleasure you gave me, but all good things must come to an end. Due to failing eyesight I am forced to retire. I can no longer review your books, and any that you send will be donated to the local library, unread. Do not send any more. I can only read for a couple hours every day, and this does not allow me to finish a book in reasonable time. I will be devoting time to my own books from now on, and reading on a personal level. Books that interest me. I prefer paperbacks and hardbacks, not eBooks. My eyesight has been failing the last few years, and I cannot handle hundreds of review books any more. My books are still available for review. Anyone interested in reviewing any of them, they are found in the Link to Tom’s Books On Amazon. Contact me for pdf copies at fadingshadows40@gmail.com

Tuesday, May 3, 2011

Today's Pulp

After reading Johnston McCulley’s 1913 story in TOP-NOTCH Magazine, “Force Inscrutable”, I was struck by the difference in the moral acceptance within stories from that period to the heyday of the pulps, just two decades later. In this story, Betty Gladstone and Dick Wellington worry over the fact that traveling together by train could be construed as immoral, since they were only betrothed, and not married. Now jump ahead twenty years, to 1933, when Dick Wentworth and Nita Van Sloan are apparently living together – betrothed but not married.  In the teens, we were treated to gentlemanly thieves, which gave way to the violent Roaring Twenties, molls and gun rule. With the 1930s came the heroes and heroines, who were equally as tough as the mobs, and we now saw a milder drop in the moral appearance between men and women. This would be the ground rule for the next two decades, until the pulps began to fade, and the age of the paperbacks brought sex and language to the printed stories. It wasn’t long until the aggressor novels threw out all semblance of morality in the new fiction. Today’s new pulp appears to be anchored in a mixture of the original and the modern, sometimes difficult to recognize, but the readers in 1913 likely felt that away about the 1930s.

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